M-G: 1.23.13 // Wood, Hay, & Straw Songs, 1 Corinthians 3:12-13


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Let me say at the outset that I have endeavored to write this devotional in a spirit of contemplation rather than one of condemnation for only God knows the heart of the individual. Be that as it may, you’ve heard this often concerning Jesus’ indictment of the spiritual leaders of Israel in His day when quoting the ancient prophet Isaiah, “This people honors Me with their lips, but their heart is far from Me” (Mk 7:6).  But this would include, “They worship Me with their singing, but their heart is far from me” also!

One of the praise teams in a recent worship service began singing “Lead me to the cross.” The music and the vocals were wonderful, and the congregation joined in, but for some odd reason I couldn’t get myself to sing that song though I liked it. A thought flashed in my mind, “Did the people realize what they were asking God in song to do – ‘Lead me to the cross?!’” All I could get out of my mouth was one monosyllable word, “Wow!” 

I don’t know if it was the Holy Spirit or not but another question appeared out of nowhere in my mind, “Would you still sing that song if you knew right after the service there was a cross in the parking lot waiting on you to be crucified upon? I have been burdened for months now concerning singing in the fear of the Lord, but these two questions came out of the blue. I was troubled in my spirit for myself and for the body of worshipers assembled though I was thankful for the worship service.  How easy it is for us to sing songs like that making us appear to be so super spiritual, living in a country enjoying religious freedom, for now. 

The cross was a cruel but an effective tool of psychological warfare utilized by the Roman Empire in conveying a crystal clear message to all who challenged, interfered, or opposed its right by might to reign and rule over conquered territories. Whether this mind-game strategy was one piece or comprised of two pieces of wood, it was branded in the consciousness of its citizens and conquered peoples as a symbol of suffering, humiliation, pain, and death. No one in their right mind aspired to take the path of the cross; it was without question a one way ticket to a shameful, horrific, and agonizing death. No one survived crucifixion, but One … and He had to die to do it! 

Often the bodies of those crucified were left on the cross as a reminder that violation of Roman peace doesn’t pay. It must have been a gruesome sight. The visual effects of open wounds, the smell of rotting corpses, the flies, the maggots, and a liberal amount of blood were a ghastly sight. The sights and sounds and the smell of death burned vivid imageries in the brain by the onlookers and those that passed by of the unimaginable inhumane treatment of the crucified. The weather, birds, dogs, and wild beasts took its toll on the cadaver over time. There upon every crucifixion was an invisible placard that said, “This could be you! Keep the Pax Romana” (Roman peace)! 

But anyone who witnessed a crucifixion and the disgusting wake vicariously saw themselves there and shuddered at the thought of being in that victim’s place, citizen of Rome or not. Those citizens worthy of death were usually beheaded or put in one of the bloody venues at the Colosseum to die by the hand of a gladiator or wild beasts rather than being crucified (cf. tradition of Paul’s death, a Roman citizen, being beheaded for the faith under Nero).

Crucifixion sites were usually along the roadways like premium billboard locations today to get its message across to as many people as possible. The advertisement of the cross was powerful and persuasive for the masses. Once Constantine the Great (circa 272 – 337 A.D.), the first Christian emperor of the Roman Empire, declared the cross the symbol of Christianity, crucifixion was no longer a primary source of capital punishment, and people started wearing cross jewelry openly, generally speaking.

Again, this article is not meant to be a criticism of singing songs to the Lord, its lyrics, its music, wearing cross jewelry, or the cross being a symbol of our faith. This is a personal concern and a flock concern of failing to sing songs in the fear of the Lord (cf. Eph 5:19) with an appeal of reflection to other believers. Often our songs to Him are superficial, without heart, without meaning, going through the motions, and regarding the crowd (been there done that and still struggling). Every thought, word (including songs sung), or deed of all believers will inevitably and ultimately be evaluated at the judgment seat of Christ (2 Cor 5:10), known as the bema

When Paul used the Greek word bema in Corinthians, he was using an athletic analogy familiar to them of an elevated platform (bema) used for giving victorious athletes their crowns. This is similar to the modern day Olympiad where bronze, silver, and gold metals are presented to athletes on a raised platform. The bema served a duel function, rewarding athletes or making legal judgments (cf. Acts 18:12-16; Mt 27:19; Jn 19:13). The bema awaits every Christian after this life (Rom 14:10). The bema has nothing to do with judgment for sin for this was addressed at the cross once and for all (Eph 1:7), but it involves the evaluation of faith attitudes and activities of believers during their lifetime after salvation whether eternal (gold, silver, or precious stones), surviving the fire, or temporal (wood, hay, and straw) in nature, consumed by the fire (1 Cor 3:11-15).

Actually, this passage is primarily for spiritual leaders (cf. 1 Cor 3:9-10) and secondarily to all believers. Paul is referring to Christians as a building (1 Cor 3:9, 16) whose foundation is Jesus Christ (1 Cor 3:10-11), and the spiritual life is likened unto a building process (1 Cor 3:12-15, hence, sanctification). The problem with the believers at Corinth is that they were still immature and not growing in the faith or progressing with their own building (1 Cor 3:1-2). They were still thumb-sucking Christians wanting everything to be about them, just like a baby. 

This created behavioral issues such as envy, strife, and divisions among them, one siding with Paul and the other Apollos (1 Cor 3:3-4). Both Paul and Apollos were both ministers (1 Cor 3:5); Paul planted (laid the foundation) and Apollos watered (built upon it),1 Cor 3:6, and God approves and blesses this arrangement for "God gives the increase," not Paul or Apollos, but God (1 Cor 3:7). "Paul also pointed out that both Paul and Apollos were one (1 Cor 3:8) and God’s fellow workers (1 Cor 3:9). Each (Paul and Apollos) will receive his own reward according to his labor (1 Cor 3:8): gold, silver, and precious stones or wood, hay, and stubble (1 Cor 3:12-15). 

The warning to the builder is found in 1 Cor 3:10b, “But let each one take heed how he builds on it.” This is a word of caution to all spiritual leaders and all believers building upon the only foundation, Jesus Christ. The solemn warning is further seen, “If anyone defiles the temple of God, God will destroy him. For the temple of God is holy, which temple you are” (1 Cor 3:17).  

What kind of edifice are we building for Christ? Is it according to the Scriptures or is it under carnal construction? Are we deceiving ourselves, honoring God with our lips but our heart is not in it when we ask God in song to take us to a place most of us are not ready for, a cross no less? Are we for real? Would we be willing to give up our life for Jesus right now as we sing? If not we are singing a song to God without fear, reverence, and awe. Most of us have difficulty living for Jesus in a religious “tolerant” society, much less in a hostile one. 

Do we understand what we are singing when we sing in church to God anyway? Do we think we can sing whatever we want to God whether we mean it or not; it doesn’t matter? Are we singing gold, silver, and precious stones songs or wood, hay, and straw ones (those without eternal value)? I shuddered to think as three services filled to capacity asked God in song, “Lead me to the cross?” Ever heard the warning, “Be careful what you ask for; you might just get it!” It probably won’t be an actual cross, but something to help us build our house in compliance to God’s code! 

Jesus said to His disciples, “Whoever desires to come after Me, let him deny himself, and take up his cross, and follow Me” (Mk 8:34). The steps of Jesus were undeniably suffering steps (1 Pet 2:21). We are commanded to follow Him. And Paul reminded Timothy, “Yes, and all who desire to live godly in Christ Jesus will suffer persecution” (2 Tim 3:12). Wood, hay, and straw songs or any spiritual song sung with the lips but the heart is distant is not on a crosswalk!

The Holy Spirit knows the blueprints in the mind of God for our life. You could say that the Father is the Architect and the Holy Spirit is the General Contractor living on site! So whenever we as a builder cut corners, He is immediately aware of the deviation to the expected standards. We need to follow His blueprints according to the Scriptures, not following our own carnal plans. One indication that we are not following the building codes of Scripture is our singing is off the mark in “worship”; our lips and heart are not in sync, only God knows this.  

Whether singing, sawing, hammering, planting, watering, or whatever we do, it should all be in one accord with the Holy Spirit for the glory of God (1 Cor 10:31; Col 3:17, 23). We need to think before we sing for we will be judged by our singing, too, one day (Mt 12:34): singing songs from faith (gold, silver, and precious stones songs) or songs for the flames (wood, hay, and straw songs).


"Praise the LORD! I will praise the LORD with my whole heart, in the assembly of the upright and in the congregation" (Psa 111:1). 

"Praise the LORD! Sing to the LORD a new song, and His praise in the assembly of saints" (Psa 149:1). <><